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When Adele sings on her new album, "25," about an emotional experience so vivid that "It was just like a movie / It was just like a song," she's probably thinking of a tune by one of her idols: Roberta Flack, say, or Stevie Nicks. But for fans of this 27-year-old British singer, such a moment could only be captured by one thing: an Adele song. With her big hair and bigger voice, Adele broke out in 2008 as part of the British retro-soul craze that also included Duffy and Amy Winehouse. Her debut album, "19," spawned a hit single in "Chasing Pavements" and led to a Grammy Award for best new artist. Yet she outgrew any style or scene with the smash follow-up, "21," which presented Adele as a great crystallizer of complicated feelings, an artist writing intimately about her own life (in this case about a devastating breakup) in a way that somehow made the music feel universal. Clearly, the pressure is on to duplicate that commercial success with "25," which comes after a long period of public quiet in which Adele recovered from throat surgery and gave birth to a son (and tweeted no more than a few dozen times). "Hello," the record's brooding lead single, set a record when it was released last month, racking up 1.1 million downloads in a week. But the song's enthusiastic embrace only underscored the other, more pressing demand on the singer as she returns: that her music still provide its trademark catharsis. Put another way, Adele's fans have been waiting for years for new Adele songs to explain their experiences to them. And they get a worthy batch on "25." (Mikael Wood) Read more
In addition to this, I think a good rule of thumb overall is to live your life like you are a character in a Studio Ghibli movie. Because goodness, the Studio Ghibli cast of characters give us plenty of examples of cultivating wonder in their daily lives: tending to the garden, walking by the seaside with a friend, enjoying mouth-watering ramen after a long day. Being thoroughly alive isn\u2019t just about an arbitrary, overarching plot at any point during our lives- it is about the everyday sort of magic, experiences that prompt nostalgia ten years later because you wish you had been more present in that sweet, sacred moment. And that is why Kiki\u2019s Delivery Service could never just be described as the story of a witch who loses her ability to fly and then gets her powers back. To do so would be to miss the point of the movie entirely. Coming-of-age tales are rarely all about the transition from Point A to Point B- they are about the in-between, the messy, the not-yet, and the becoming. They are about life, in its complete fullness and messiness and overwhelming beauty. Kiki\u2019s story is no different.
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